Archive

Posts Tagged ‘24 bit 96 kHz’

New Library, BUGS! from NAB 2010

April 30th, 2010

We had a new library to show off at NAB this year, BUGS!

At the conference, Ric took the time to give the scoop on how BUGS! came to be.

BUGS! is the newest library from Blastwave FX–recorded, edited, and mastered in 24-bit/96kHz with top quality microphones. No need to go camping when you’ve got this high-definition collection of creepy-crawly sounds.

Michael Bartnett AES / NAB, NAB, Videos , , , , ,

Blastwave FX & Soundminer Video Released

April 16th, 2009

Blastwave FX has released a Demo Video showcasing how Soundminer works with Blastwave FX sound effects libraries. The video features:

1. Importing audio files into Miniminer
2. Search options
3. Transfer methods
4. Pro Tools integration
5. Sounds from TITLEWAVE, The Production Elements Drive

All Blastwave FX libraries are enriched with Soundminer metadata and are available on Hard Drive, USB Flash Drive, DVD and Download.
All collections were produced in 24 bit /96k.

Laura Sinnott AES / NAB, Blastwave FX, Other, Videos , , , , , , , , , ,

HD Sound Effects Primer: What and Why?

September 27th, 2008

Q: What are HD sound effects?

A: HD sound effects are audio files of sound effects recordings produced and delivered above CD-quality audio standards. In other words, anything above 16-bit/44.1kHz. They can be mono, stereo, 5.1, 7.1, and beyond. The current standard in delivery of HD sound effects libraries is 24-bit/96kHz – this is currently Blastwave FX’s native recording and delivery standard. In addition, our defiinition of HD sound effects involves the recording quality as well- poorly recorded sound, even at high bit rates and frequencies does not qualify. True HD sound effects, beyond bit rate and frequency are pristinely recorded using only professional recording techniques and equipment.

Q: Why do audio professionals need to adopt the use of HD sound effects into their everyday workflow?

A: We see two main reasons:

  1. To match HD video standards: HD television has become mainstream, and with it comes consumer technology already capable of playing back HD audio. We, as audio professionals, must not fall behind the video industry by offering an inferior quality audio experience to consumers.
  2. To uphold the original HD sound recording quality: Professional sound recordists regularly record in 24-bit/48kHz and above. Audio post professionals need to maintain the hi-def quality by utilizing HD sound effects into their mixes.

blastwavefx HD Sound Effects , , ,